By Sarika Bansal
Every Sunday evening, seven million Kenyans sit in front of their television sets to watch “Makutano Junction,” a soap opera set in a fictional village. In one episode, audiences watch as a woman, Mama Mboga, holds her crying infant. “I need some money to take Joni to hospital,” she tells her husband, Erasmus, after he wakes up and takes a swig from a bottle. “I think he has malaria.” Erasmus insists that his son is healthy, that she is overreacting and that he has no money to give her.